RED

On stage – Seppo Pääkkönen and Olavi Uusivirta
Screenplay – John Logan
Directing – Juhana von Bagh
Translation – Aleksi Milonoff
Set design – Katri Rentto
Lighting design and PANI projections – Ina Niemelä
Sound design – Iiro Iljama
Stage managing – Patrick Torné

Premiere in the Finnish National Theatre, Omapohja 4.3.2015
Duration 2h
Performance language Finnish

Photos – Lauri Rotko

Stadin naisten laulut

Anna E. Karvonen – research, singing, violin, production
Milla Viljamaa – composing, piano, harmonium, singing, coding
Elsa Saisio – dramaturge, directing, singing, monologues
Ina Niemelä – space, lighting and projection design
Satu Riikonen – costume design
Ville Liukkonen – studio recoding and live sound

Song texts – Marja-Leena Mikkola, Pirkko Saisio, Kanerva Pasanen, Inka Nousiainen, Mercedes Bentso and Trad.

Supported by Finnish Cultural Foundation, Yhteishyvä, Music Theatre Kapsäkki

Premiere 8.2.2019 at Music Theatre Kapsäkki
Duration 2 hours with intermission
Performance language Finnish

The theatrical concert is a time travel in 101 years into the lives of women in Helsinki. Monologues, pictures from photo archives:
Helsinki City Museum andFinnish Wartime Photograph Archive,
new and old folk songs form an emotional and rich documental journey where stories of different generations connect.
Today’s artists bring the voices of women to be heard and remembered.

critiques in finnish

Ilo Pitkästä Murheesta

The performance combines music, dance and physical theatre in the form of traditional, composed and improvised sound and movement. The base for the performance is the tradition of lamentation in Karelia and Middle East.

Emmi Kuittinen – vocals, stories, accordion
Marouf Majidi – vocals, stories, tanbour, tar
Amanda Kauranne – vocals, percussion
Esko Grundström – double bass, fiddle, kantele, sound design
Suvi Tuominen – dance, choreography
Johannes Purovaara – dance, choreography
Ina Niemelä – lighting design

Rajamailla Company in facebook.

Ilo Pitkästä Murheesta – trailer 6:13, Marec Pluciennik (2015)
Ilo Pitkästä Murheesta at Musiikkitalo 1:07:31, Marec Pluciennik (2015)

Photos – Pietari Purovaara

Vallankumous

Space:
Hanna Ryti – convener, director and writer
Ina Niemelä – lighting and video design, animations
Anne Karttunen – set and space design, building
Heini Maaranen – set and space design, building
Julia Lappalainen – writer and actor
Kimmo Siren – building
Petra Hakkarainen – set design intern
Marja Uusitalo – knitting
Oona Niemelä – sewing and light help
Veera Vienola – production intern

Revolution! is a theatrical installation with very few rules (please take off your shoes and take care of your friend!) One is free to touch, experience and play with the signs of power and empowerment.  Take your space between a giant and soft wobbly bits or sit on a tongue in front of words.

The working group interviewed 12 six-year-olds to ask how do they understand power, and if they had it what would they do with it. The answers were concrete and we took that seriously. Hands – represent the power of muscles and violence, closeness and greatness. Eyes – the power of overlooking, seeing and judging. Also the magnificent power of an approving gaze was in our minds.  Ears – listening or shutting out, trust and secrets. One enters to the space through a giant mouth – that is the gate for words. But the entrance goes inside a person, where the words are secondary.

If the first room is the room of body parts, the second room is the children playground in the world of wealth and power, where one can swim in a pool of candy wrappers, build a castle of soft golden coins and diamonds, draw the walls and make a mark. However all this is overlooked by fearful looking clay faces.

Power, responsibility and caring has been re-evaluated among the working group as we contemplated  our own attitudes towards children, and how our own childhood experiences have shaped and are shaping our perspectives. In the world of children the line between arbitrary adult rules and structured life that creates the feeling of security is thin and fluid.